Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]
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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it out in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay to the unrest? Katniss. And what's worse, President Snow has managed to get clear that no person else is protected either. Not Katniss's family, not her friends, not the folks of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to get one from the most mentioned books with the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended being a trilogy. Did it really end the best way you planned it from the beginning?
A: Very much so. While I didn't know every detail, of course, the arc of the story from gladiator game, to revolution, to war, on the eventual outcome remained constant through the writing process.
Q: We understand you worked for the initial screenplay to get a film to be depending on The Hunger Games. What could be the biggest distinction between writing a novel and writing a screenplay?
A: There were several significant differences. Time, for starters. When you are adapting a novel in a two-hour movie you can't take everything with you. The story has being condensed to match the brand new form. Then there is the question of how best to adopt a book told inside the first person and offer tense and transform it into a satisfying dramatic experience. In the novel, you never leave Katniss for a second and are privy to any or all of her thoughts so you need a approach to dramatize her inner world and to make it feasible for other characters to exist outside her company. Finally, there's the challenge of how to present the violence while still maintaining a PG-13 rating so that your core audience can view it. A lots of the situation is acceptable on a page that wouldn't be on the screen. So how certain moments are depicted may ultimately be in the director's hands.
Q: Are you currently capable to consider future projects while working on The Hunger Games, or are you immersed in the world you might be currently creating so fully who's is just too hard to think about new ideas?
A: I've several seeds of ideas floating around within my head but--given that much of my focus remains on The Hunger Games--it will likely be awhile before one fully emerges and i also can start to develop it.
Q: The Hunger Games is a yearly televised event through which one boy and one girl from each in the twelve districts is instructed to participate in the fight-to-the-death on live TV. Exactly what do you think the benefit of reality television is--to both kids and adults?
A: Well, they're often create as games and, like sporting events, there's an desire for seeing who wins. The contestants are usually unknown, which ensures they are relatable. Sometimes they have very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or brought to tears, or suffering physically--which I've found very disturbing. There's also the possibility for desensitizing the audience, to ensure when they see real tragedy playing out on, say, the news, this doesn't happen contain the impact it should.
Q: Should you were forced to compete inside Hunger Games, exactly what do you imagine your special skill would be?
A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I accustomed to be trained in sword-fighting, I guess my best hope could be to get hold of a rapier if there was clearly one available. But reality is I'd probably get of a four in Training.
Q: What would you hope readers will come away with when they read The Hunger Games trilogy?
A: Questions about how exactly elements from the books might be relevant within their own lives. And, if they're disturbing, what you might do about them.
Q: What were some of your favorite novels when you had been a teen?
A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)
Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss a single more Hunger Game, but this time around it is for world control. While it is a clever twist about the original plot, this means that there is certainly less focus about the individual characters plus more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life into a less vibrant Katniss by showing her despair both at those she feels responsible for killing and and also at her very own motives and choices. This is an older, wiser, sadder, and intensely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn with the rebels as well as the victim of President Snow, who uses Peeta to try to control Katniss. Peeta's struggles are well evidenced as part of his voice, which goes from rage to puzzlement to a unsure go back to sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and many confused—very real with distinct voices and agendas/concerns. She acts just like an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and unique challenges of each of the main characters. A successful completion of your monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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